Foreign Titling
By taking the original feature film artwork and graphics Deluxe Digital London are able to create bespoke language versions for the respective territory enhancing the feature for it’s international release.
Main titles and end titles are all diligently versioned and designed. We take great pride in creating foreign titles that are indistinguishable from the original design and allow major features to be distributed throughout the world for international audiences without visual compromise.
Prior to release DDL also undertake trailer versioning, enabling global marketing opportunities for feature films in local language whilst retaining the true visual intention.
DDL has the skill and expertise to enable one-stop foreign versioning, from the design and graphics through to technical resources to manage the transfer, throughput and delivery of film data. Crucially, as the approval process is a vital part of any foreign version project, we offer a quick and easy online verification system for clients to approve and respond to as necessary.
Digital FX Department
The Creative department designs and produces work for all areas of the film and television industry. The team mixes creative flair and talent with experience and technical know-how, so we approach all projects with confidence and capability. The combination of 2D and 3D animation with design and direction, makes for a varied portfolio of work.
Moving beyond simple fix-ups, the Creative department has a wide range of 2D and 3D effects capabilities. 2D techniques include picture-in-picture compositing, green-screen work, sky replacements and object removal. 3D enhancements can be designed to suit any creative brief. With all digital effects work it is important to discuss your plans with Deluxe Digital London as early as possible to ensure that the original material allows the effects to be achieved most effectively and efficiently.
Our Digital Opticals ability include fades, dissolves, freeze frames and speed shifts and reversals, image flops, reframing, and subtitles, effects that were traditionally developed using an optical printer. In the Digital Intermediate process, these effects can be produced individually and the results can be viewed immediately.
Once completed, the effects can be output to 35mm negative for cutting onto a conventionally negative-matched production, or can be integrated into the complete conform of a full Digital Intermediate process.
The portfolio of work also includes titles, channel branding, promos, CGI and motion graphics for Film, Broadcast and Corporate clients.